Cinematography Apps You Should Be Using
Over the last several months as I have shared various behind the scenes photos on twitter and facebook I have routinely been asked "what app is that?" So I thought it was time to detail out what apps I regularly use as a cinematographer. I have broken them down into three categories: Must Haves, Nice To Have, and Don't Need, But Fun To Use.
2+ Hours Of Exclusive Interviews
Over the last couple of months I have been honored to be the guest on several podcasts, as well as a videocast. I encourage you to not only listen as I stumble my way through the interview process (There is a reason I am behind the camera, not infront of it.), but to subscribe to them as I have. There is a wealth of knowledge and expertise from many people more talented and experienced then myself.
Why You Should Be Using ND Filters For Interior Work
Last week I talked about the importance of in camera filtration, and this week I am going to address why you should be using ND for interior work. Typically, ND filters are thought of as exposure tools that are only used for scenes that take place outside. While they may have started out as a tool that was primarily used for exteriors, that is no longer the case. As camera technology continues to advance, the ND filter is playing a bigger role when shooting indoors.
The Power Of Camera Filtration
As a cinematographer, one of my responsibilities is to craft the image to reinforce the story I am helping to tell. While lighting, framing, and camera movement are often the first tools that come to mind, an often over looked tool at our disposal is camera filtration. Unfortunately, with the rise of the digital age, and the power of our grading software, filtration at the camera level is not as popular as it once was. While I can appreciate the fear that some directors and productions have of baking in a look, here is why I think in camera filtration can be a powerful tool, and why you should be considering it for your production.
The DSLR Killed The Specialist
When the video DSLR was introduced, it was heralded by many as a truly revolutionary piece of filmmaking technology. No longer were the filmmaking gates closed to those without large pocketbooks and budgets. They were now open to anyone with a spare $1,000 - $3,000, or an available balance on their credit card. While this affordable, and "cinematic" technology has opened the doors for new talent, it has brought with it some unintended consequences. Like it or not, the market is shifting, and has been shifting for several years now. The importance of the specialist is diminishing, and the age of the generalist is rising. If the TV killed the radio star, then the DSLR has killed the specialist...